Technical study of Germolles’ wall paintings: the input of imaging technique

Christian Degrigny; Francesca Piqué; Nutsa Papiashvili; Julien Guery; Alamin Mansouri; Gaëtan Le Goïc; Vincent Detalle; Dominique Martos-Levif; Aurélie Mounier; Stefanie Wefers; Cristina Tedeschi; Marco Cucchi; Jean-Marc Vallet; Anthony Pamart; Matthieu Pinette

doi:10.4995/var.2016.5831

Authors

Christian Degrigny Haute Ecole Arc (HE-Arc)
Francesca Piqué University of Applied Sciences and Arts of Southern Switzerland (SUPSI)
Nutsa Papiashvili University of Applied Sciences and Arts of Southern Switzerland (SUPSI)
Julien Guery AIRINOV
Alamin Mansouri UFR Sciences et Techniques
Gaëtan Le Goïc UFR Sciences et Techniques
Vincent Detalle Laboratoire de Recherche des Monuments Historiques (LRMH)
Dominique Martos-Levif Laboratoire de Recherche des Monuments Historiques (LRMH)
Aurélie Mounier Institut de Recherche sur les ArchéoMATériaux ; Université Bordeaux Montaigne, Centre de Recherche en Physique Appliquée à l'Archéologie, Maison de l'Archéologie (IRAMAT-CRPAA)
Stefanie Wefers Mainz University of Applied Sciences
Cristina Tedeschi Politecnico di Milano
Marco Cucchi Politecnico di Milano
Jean-Marc Vallet Centre Interdisciplinaire de conservation et restauration du patrimoine (CICRP)
Anthony Pamart Campus du CNRS (Batiment Z ')
Matthieu Pinette Sarl Palais ducal en Bourgogne

DOI:

https://doi.org/10.4995/var.2016.5831

Keywords:

Germolles, wall paintings, documentation, imaging techniques, painting techniques, data management

Abstract

The Château de Germolles is one of the rare palace in France dating from the 14^th century. The noble floor is decorated with wall paintings that are a unique example of courtly love spirit that infused the princely courts of the time. After being concealed sometime in the 19^th century, the paintings were rediscovered and uncovered in the middle of the 20^th century and partly restored at the end of the 1990s. No scientific documentation accompanied these interventions and important questions, such as the level of authenticity of the mural decorations and the original painting technique(s) used in the medieval times remained unanswered. The combined scientific and financial supports of COSCH Cost Action and DRAC-Burgundy enabled to study Germolles’ wall paintings using some of the most innovative imaging and analytical techniques and to address some of the questions raised. The study provided significant information on the material used in the medieval times and on the conservation condition of the paintings. The data collected is vast and varied and exposed the owners of the property to the challenges of data management.

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Author Biographies

Christian Degrigny, Haute Ecole Arc (HE-Arc)

Conservation department

Francesca Piqué, University of Applied Sciences and Arts of Southern Switzerland (SUPSI)

Department of Environment, Constructions and Design, Institute of Materials and Construction

Nutsa Papiashvili, University of Applied Sciences and Arts of Southern Switzerland (SUPSI)

Department of Environment, Constructions and Design, Institute of Materials and Construction

Alamin Mansouri, UFR Sciences et Techniques

Laboratoire Le2i

Gaëtan Le Goïc, UFR Sciences et Techniques

Laboratoire Le2i

Stefanie Wefers, Mainz University of Applied Sciences

i3mainz, Institute for Spatial Information and Surveying Technology

Cristina Tedeschi, Politecnico di Milano

Department of Civil and Environmental Engineering

Marco Cucchi, Politecnico di Milano

LPMsc - Materials Testing Laboratory

Anthony Pamart, Campus du CNRS (Batiment Z ')

UMR 3495 CNRS/MCC Modèles et simulations pour l’Architecture et le Patrimoine (MAP)

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