Digital reconstruction of Barros Lima’s design for São Torcato Sanctuary, 1825

Pedro de Azambuja Varela

https://orcid.org/0000-0002-7319-5019

Portugal

Universidade do Porto image/svg+xml

Pedro de Azambuja Varela is an architect (FAUP, 2006) with a PhD in stereotomy (2020). His research explores digital fabrication, robotic construction, and reconfigurable molds for vaulted structures. He has built pioneering cork and rammed earth vaults, taught at FAUP, and published widely in international conferences and journals. Currently, he teaches CAAD at FAUP and investigates constructive stereotomy, bridging historical techniques with contemporary digital methods.

João Luís Marques

https://orcid.org/0000-0001-8125-2944

Portugal

Universidade do Porto image/svg+xml

João Luís Marques is an architect (FAUP, 2006) with PhD (2017) specializied in modern Portuguese religious architecture. He teached courses on Portuguese architectural history and, currently, he is teaching History of Ancient and Medieval Architecture anda Oporto City’s History. He is a researcher at FAUP's Center for Studies in Architecture and Urbanism and a member of the international platform Observatório de Arquitectura Religiosa Contemporánea. In 2020, he founded his own architectural  firm, focusing on architecture, design, and heritage and consultancy.

Afonso de Matos Silva

https://orcid.org/0009-0009-5221-3263

Portugal

Universidade do Porto image/svg+xml

Afonso de Matos Silva, born in Viana do Castelo in 2000, is completing his Master’s in Architecture at the Faculty of Architecture of the University of Porto (FAUP), working on his thesis ‘3D modelling of an abandoned project: S. Torcato’s Sanctuary from Luis Inácio Barros Lima’s drawings’. His research focuses on digital visualization, photogrammetry, and 3D modeling. He has participated in workshops on heritage reconstruction, with interests in parametric modeling and historical research.

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Accepted: 2025-01-12

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Published: 2025-02-13

DOI: https://doi.org/10.4995/var.2024.22610
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Keywords:

digital reconstruction, architectural heritage, photogrammetry, parametric modelling, uncertainty quantification

Supporting agencies:

This research was not funded

Abstract:

This study reconstructs the unfinished architectural project of the São Torcato Sanctuary, designed by Luís Inácio Barros Lima in 1825, using modern digital visualisation techniques. The objective is to create a three-dimensional (3D) model that accurately represents the sanctuary’s interiors, facilitating broader public engagement with this historical structure. Employing a systematic methodology, we analysed historical documentation and employed photogrammetry and parametric modelling through Rhinoceros (Rhino) software to reconstruct key architectural elements. We established a metric identification system based on regional measurement units, enabling a cohesive modelling process despite challenges posed by distorted and incomplete source material. The modelling process was organised into Levels of Development (LOD), allowing for a hierarchical approach from basic geometries to intricate features. We utilised Grasshopper for the efficient generation of various openings and detailed cornices, while photogrammetry facilitated the accurate modelling of existing capitals and the baldachin. A critical component of this reconstruction involved quantifying uncertainty within the model, utilising a false colour scheme to represent varying levels of confidence in the accuracy of different elements based on source availability. The average uncertainty score of the model was determined to be 40%, highlighting the speculative nature of some components due to incomplete documentation. This digital reconstruction contributes significantly to the architectural narrative of the São Torcato Sanctuary and serves as a resource for future research and public education. Despite inherent uncertainties, the model provides valuable insights into an architectural vision that remains unrealised, underscoring the importance of digital methods in the preservation and interpretation of architectural heritage.

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