Leyendo Vers une architecture, de otra manera

Victor Beiramar Diniz

https://orcid.org/0009-0009-4588-0746

Portugal

Autonomous University of Lisbon image/svg+xml

Victor Beiramar Diniz (Lisbon, 1968) earned his degree in Landscape Architecture from the Technical University of Lisbon (1996), with study periods in Versailles and Wageningen. He also holds a postgraduate degree in Urban Design. Since 2024, he has been a doctoral researcher in Contemporary Architecture at UAL, where his investigation focuses on networks and constellations within Portuguese architecture of landscape in the modern period. His career includes collaborations with prominent firms like Carrilho da Graça arquitectos, and the directorship of the Serralves Park.

Sofia Pinto Basto

Portugal

Autonomous University of Lisbon image/svg+xml

Sofia Pinto Basto (Lisbon, 1970) earned her degree in architecture from the Technical University of Lisbon in 1993, and collaborated with Sousa Oliveira from that year until 2013. She completed a degree in Philosophy at Nova University of Lisbon in 1995. In 2007, she co-founded Atelier SIA Arquitectura with Ana Cravinho and Inês Cordovil, where she currently practices. She is a PhD candidate in Contemporary Architecture and researcher at Autonomous University of Lisbon UAL since 2024. Her research operates at the intersection of architecture, the artistic field, art theory, and philosophy.

José Castro Caldas

https://orcid.org/0009-0005-2834-5953

Portugal

Autonomous University of Lisbon image/svg+xml

José Castro Caldas (Lisbon, 1981) is an architect and PhD candidate at UAL. His research examines the role of architecture in Mozambique’s post-colonial reconstruction. He has professional experience both in architectural studios and in NGOs, having worked in Argentina, in the Brazilian Amazon, and now in Portugal. His practice combines design, field work, and cultural production, exploring the intersections between architecture, craftsmanship, and film, seen in works like the Casa|Estúdio|Oficina, which served as the setting for the award-winning short film Lá vem o dia (2019).

Mariam Zahra Bouye

Germany

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Mariam Zahra Bouye (Baden, Austria, 1992) is a bachelor's student at Goethe University Frankfurt, majoring in Comparative Literature with a minor in Art History, specialising in architectural history. Her studies engage with world literature, transnational literary theory, and interdisciplinary approaches encompassing media studies, philosophy, and cultural theory. Trained interlingually in German, English, French, and Persian, she examines literary phenomena across linguistic boundaries.

Fernando Kikuchi

Portugal

Autonomous University of Lisbon image/svg+xml

Fernando Kikuchi (Itumbiara, Brazil, 1994) is an Architect and Urban Planner graduated from UFFS (2019) and a Technician in Electrotechnics from IFG (2013). He holds a Master’s degree from UFPel, where he researched environmental perception and LGBTQIA+ representation in urban dynamics. He is currently a PhD candidate in Contemporary Architecture at the Autonomous University of Lisbon UAL.

Marta Sequeira

https://orcid.org/0000-0001-8625-3049

Portugal

Iscte – Instituto Universitário de Lisboa image/svg+xml

Marta Sequeira (Lisbon, 1977) is an architect, researcher, and curator whose work explores the reception and transformation of modern ideas in architectural culture, with a particular focus on Le Corbusier. She holds a PhD from the Escola Técnica Superior de Arquitectura de Barcelona and is Associate Professor at ISCTE – University Institute of Lisbon, and at the Universidade Autónoma de Lisboa, where she founded and directs the PhD Programme in Contemporary Architecture. She is also a researcher at DINÂMIA’CET–Iscte. Her book Towards a Public Space (Routledge) was awarded the Prix de la Recherche Patiente (Fondation Le Corbusier, 2016). As a curator, she has organised exhibitions including Carrilho da Graça: Lisboa, Flashback / Carrilho da Graça, and Habitar Lisboa. Her work bridges research, teaching, and curatorship to interrogate the critical legacies of modern architecture.

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Aceptado:

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Publicado: 28-11-2025

DOI: https://doi.org/10.4995/lc.2025.25009
Datos de financiación

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Palabras clave:

Le Corbusier, Tom Emerson, An Fonteyne, Historiografía de la enseñanza de la arquitectura, Pedagogía arquitectónica

Agencias de apoyo:

Esta investigación no contó con financiación

Resumen:

Un siglo después de Vers une architecture (1923), en octubre de 2024, se organizó el taller Vers une Architecture in Teaching en los Archivos gta de la ETH Zürich, que reunió a archiveros, historiadores, profesores de estudio y estudiantes para examinar cómo el manifiesto de Le Corbusier sigue influyendo —y perturbando— la pedagogía arquitectónica. Dirigido por Véronique Bonne, Frederike Lausch, Ciro Miguel, Daniela Ortiz dos Santos y Marta Sequeira, este trabajo colaborativo culminó en el proyecto curatorial Vers une Architecture in Teaching, celebrado dentro de la exposición Vers une Architecture: Reflections, que se mostró en el Pavillon Le Corbusier del 25 de abril al 23 de noviembre de 2025, y que se describe en el artículo anterior. En el marco del taller, se realizó una serie de entrevistas a profesores contemporáneos del estudio de la ETH Zürich, invitándoles a reflexionar sobre sus propios encuentros con Le Corbusier y sobre el lugar que ocupa Vers une architecture en su enseñanza. Las entrevistas aquí publicadas, con Tom Emerson y An Fonteyne, ambos actualmente profesores de la ETH Zürich, ofrecen una visión de cómo se percibe, se lee y se cuestiona el libro de Le Corbusier —y al propio Le Corbusier— en la enseñanza de la arquitectura actual.

 

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